Showing posts with label 2017 at 04:27AM. Show all posts
Showing posts with label 2017 at 04:27AM. Show all posts

Saturday, 11 February 2017

And after many days… Jowhor Ile’s resonating family testament…Read full details

Jowhor Ile

Debut novels are not the easiest to write. What with the issues of harmonizing theme and style, managing and sustaining mood and narrative points of view and moderating all these to yield a unified whole for the sheer pleasure of reading? It is never easy, but Jowhor Ile has managed these disparate aspects admirably in his debut novel, And After Many Days, a family narrative that has a resonance and echo of 1980s and 1990s Nigeria, with its history of military jackboots, students unrest, academic disruptions, communal agitations as a result of the activities of oil companies and the fatalities inflicted on local communities and the brutal murder of environmental rights activist and writer, Kenule Saro-Wiwa.

But it is a tale of police brutality, told in non-hysterical manner, of the brutal murder of a youth and how it knits the story together. Like its Lagos counterpart story and Toni Kan’s The Carnivorous City, Jowhor Ile’s And After Many Days is the story of a missing boy, set in Port Harcourt, Rivers State. The Itu family is a middle class one, which is staggered by the tragedy of its lost first son, Paul, who strolled out one day and never returns. However, one of the men who witnessed how Paul was hit with a riffle butt walks into their living room, after many years, when the family has dispersed, and it heightens the sense of loss, of a young life senselessly cut short at its prime. And the family, now without the father, finds redemption in the exhumation and final burial of a member lost at his prime.

“Paul floundered by door as though he had changed his mind; then he bent to buckle his sandals, slung on his backpack, left the house, and did not return.

“At least that is one way to begin to tell this story.”That is how Ile starts the story and he introduces the Itu family: the father, Bendic, a lawyer, whom the children call by name; the mother, Ma, the only daughter, Bibi, and the last son, Ajie. Ile’s family portrait is so realistically rendered that he takes the reader into the living room of the Itus to experience firsthand the siblings’ rivalry between Bibi and Ajie, Paul’s leadership as first child, Ajie’s attachment to his elder brother, Paul, Benedict’s disciplinary measures, the children’s pranks and everything that goes with family. It is a happy family, the Itus, until the tragedy of Paul’s disappearance hits it, and the family begins to reel from the strangeness of the situation. For Bendict, Ma, Ajie and Bibi, a new, surrealistic world dawns on them and they are least prepared to cope with it. But cope they must.

But until Paul disappears, the Itu family is a model one. They live in Port Harcourt, but like most city dwellers, they regularly visit their hometown, Ogibah. Ile illustrates the link between city dwellers and their remote villages, how Bendic, the city man is easily the mediator in disputes whenever he visited with his family that takes part in all the village rituals and customs. Ile’s portraiture of Ogibah gives readers a village’s slice of life, the joys and the disputes that sometimes flare out of hand to consume everyone. Bendic finds himself always intervening on behalf of Ogibah in court to ask for compensations from the recalcitrant oil company and fencing off police and military assault on his community for affronting the oil company.

Like most local communities in the Niger Delta, Ogibah is an oil-producing community. Thus the stage is set for a great showdown with the oil company operating in the town and government. It soon happens and lives are inevitably lost. Ogibah is a ghost town after the soldiers take it over to usher in a reign of terror. The oil company’s style is to stoke conflict with its divide and rule tactics that set the people against themselves. Ile has an eye for the local politics of oil operations in communities so blessed and its disruptive power to corrupt an innocent community into needless conflict that leaves it drained and prostrate.

Bibi and Ajie grow up under the shadow of a lost brother looming over them. When he comes of age, Ajie is whisked abroad to study; having lost the first son, the Itus do not want to risk the only son left. Bibi studies at home to become a doctor. It is also at this stage that a policeman walks into their living room and announces the evil deed of years ago to reawaken an old, unhealed wound.

A policeman, who witnessed Paul’s death years ago in the hands of his colleague, is now a repented man, a man of god, and has come to atone for his sin. “It is not enough to confess your sins and receive forgiveness from God,” the man sitting before Ma began. “Even though the blood of Jesus washes away your slate of sins clean, you have to go back to the people you’ve wronged in the past and try to make things right.”

Ile’s narrative has silent power behind it. Unhurried, powerful and incisive, And After Many Days sheds quiet illumination on what is an ordinary story and elevates it to a height unbelievable and unimaginable. Like Lagos, Port Harcourt has a new book that maps its streets and intimate contours in a warm way. This is a novel of quiet beauty and power. Ile’s And After Many Days is a lush addition to the supple narratives of the Niger Delta region in its subtle tracking of the region’s socio-political undercurrents. Through Ile’s rehash, the reader is able to relive the 1980s through the 1990s’ Port Harcourt and Nigeria’s harsh socio-political history. This book has haunting, even if memorable, resonance.


‘I am an unconcealed reflection of sacrifice for a cause,’ says artist…Read full details

Gerald Chukwuma

Gerald Chukwuma is an artist, but a first class graduate of Applied Science from University of Nigeria, Nsukka. Gerald believes he was born an artist, as everything he did as a child pointed to art.

“I just have this uncanny belief that every artist could have been born an artist,” he said. “I grew up discovering I was made like that and I have come to accept that how one becomes an artist may not really matter.”

Although his parents did not support his idea of becoming an artist, he did not relent in his quest, noting, “I only had an option to study courses like medicine, law, engineering, and accounting.  My love for art was considered illicit and unacceptable. I later did an OND in marketing at Federal Polytechnic, Nekede, where I graduated as second best, but I was far from being fulfilled. My father could not allow me become the man of my dreams – an artist.

“For this reason, it took me about 10 years to enter University of Nigeria, Nsukka. I had to come to terms with the reality of my parents’ refusal to pay my school fees should I remain recalcitrant about my burning desire. Rather than return to Nekede to complete my HND, I secretly enrolled to study art at Nsukka, where I graduated cum laude in 2002.”

At some point, Chukwuma turned to making cards and posters and painted portraits to survive through school. “I remember how I left school a number of times to hawk my art in Enugu and Port Harcourt. It was a tough one but I was living my dream. Art has been a fantasy and everyone, who knew me, saw how much I loved and enjoyed what I was doing. Perhaps, the man I have become today may just be an unconcealed reflection of how far I have sacrificed for a cause I have greatly lived and adored.”

However, the artist lamented the low level of art appreciation in Nigeria, adding, “In pristine Nigeria, like in virtually all of Africa, art was life and life itself was art. There truly may not have been any questions about its appreciation since it was naturally participatory and revolved around all facets of life. Colonialism later baited us with commerce and the new religions, turned us to strangers within our homesteads and art was later to abruptly become an esoteric exercise.

According to him, “There is obviously a bit of disconnect between today’s artists and the general public and the reason may not be far-fetched. The average Nigerian may have to grapple with the exigencies of life’s basics – food, shelter, clothing – before getting excited about the rejuvenating values embedded in the art of his beleaguered society.”

Although he said he has enjoyed a certain amount of patronage from Nigeria, it is a far cry from what it should be.“I recently read a line from Tokeni Peterside, founder of Art-X Lagos, where she expressed her disbelief that Nigerians do not appreciate art because by nature, we are a bunch of art-loving audience. I agree, there are sweeping opportunities of appreciating art in Nigeria,” he added.

A few years ago, Chukwuma and a group of artists, after a group exhibition, agreed to start a gathering of artists with focus on international exhibition. On whether his upcoming exhibition with a Ghanaian artist is in line with that agenda, Chukwuma said, “There is this flush of enthusiasm that comes with knowing that you could be a critical actor in a creative process. The gush gets even more intense when you encounter other young, seemingly undeterred ‘creators’ who just want to explore explosively. We have straddled a mélange of dreams in the past but art lances from imagination to internalisation and thereafter, execution gives it the voice that it craves.

“I have participated in a number of international shows since then, although they may not have been borne out of the same measure of bias or energy that buoyed our decision from the outset. Certain opportunities have sprouted out of appreciation or sheer awe from enthusiasts and art lovers and as an artist, it is important to key into some of these looming interests and tactfully embrace the pivotal ideals.

“I would not easily say that this show is not a brainchild of that agenda. The manifestation may have been betrayed, as it were, but the core of that hunger to speak to the international audience remains the same.”

Chukwuma, whose works are mostly known as panels with burnt parts and paintings of motifs, said his upcoming exhibition is likely to take a different form because art is evolving and there is need for a paradigm shift.

“I just love to work the way I do but I understand the values embedded in flexibility,” he said. “This show is expected to clearly manifest an embroidery of what I have done in the past with fibre glass and ink drawings, metal pelletes mangled in earth colours, audacious textures, intruding hues and sacrosanct creative presence. Expect a mixed grill of the old and new.”

On a lighter note, the artist said if he were not an artist, he would have been a cook, saying, “I just love food, food, and more food and the poetic kind of nuances and measures that surround it’s processing. Whatever transpires between the assemblage of recipes and utensils and the actual cooking reminds me of the artistic pleasure of planting a seed and watching it blossom. A cook, like the artist is a therapist, an intermediary whose role takes full shape after the interspaces between soul-stirring and quintessence has been wholly filled.”


Thursday, 9 February 2017

Gaza’s ‘Spider-Man’ contortionist enters record books…Read full details

Mohammad al-Sheikh. PHOTO: The Times of Israel

A young Palestinian contortionist known in Gaza as “Spider-Man” has entered the Guinness book of records, his trainer said Thursday.

The 13-year-old, Mohammad al-Sheikh, broke the record for the most full body revolutions maintaining a chest stand in one minute, Mohammed Loubbad told AFP.

The move involves lying on the chest, bending the back to put the feet in front of the head then rotating the hips to run the feet in laps around the body.

“Mohammad al-Sheikh set the record by performing 38 laps around his body in one minute. He beats the previous record, which was 29 laps,” Loubbad said.

A team from Guinness World Records was planning to visit the small coastal enclave to see the attempt but it has been subject to a tight Israeli blockade for 10 years, he said.

Instead, the attempt took place in Amman, Jordan.

Neither Sheikh’s mother nor his trainer received Israeli permission to leave the Gaza Strip, so he travelled with another adult.

But those obstacles did not dampen his trainer’s determination.

“We are preparing another three record attempts,” said Loubbad, who has been working with Sheikh for three years.

“He has received invitations to competitions and shows in several countries,” he said.

That is a bright prospect for the youngster who, says his trainer, fears returning and being “buried” in Gaza.


Wednesday, 18 January 2017

Obaseki vows to strengthen judiciary, enforce rule of law …See Details

By Simon Ebegbulem &  Gabriel Enogholase

BENIN—GOVERNOR Godwin Obaseki of Edo State, yesterday, expressed his desire to strengthen the state judiciary  with a view to ensuring sanity and enforcement of rule of law to provide conducive environment for investors.

Obaseki, who spoke when he received members of the Judiciary Staff Union of Nigeria, JUSUN, at Government House, noted that nobody would invest his money in a state where there was disorderliness and impunity.

According to him: “It is the desire of this administration to provide a conducive atmosphere for investors. The rule of law is so important that if I cannot enforce contracts, if I do not feel safe in an environment, and, if my properties would not be protected, I would not invest in that environment.

“If you have listened to our pronouncements as a government, a cardinal focus of this administration is that we want to increase the amount of economic activities in the state so that we can create jobs and empower the young people. So, it is in our interest, as a government, to ensure we strengthen the judiciary and we would be the biggest beneficiaries if we have the proper rule of law in place.”

Adding that his administration was ready to work with other arms of government in brining development and creating jobs for the people of the state, Obaseki recalled: “In our budget proposal to the House of Assembly this year, you will observe that we increased the amount of capital expenditure to the judiciary by almost 600 per cent. I want to assure you that ours is a government that understands that if we do not strengthen judiciary, it will be at our own peril.”

In his address earlier, the National President of JUSUN, Marwan Mustapha Adamu, said their visit was to ensure better working relationship between judiciary workers and the executive.

 

The post Obaseki vows to strengthen judiciary, enforce rule of law appeared first on Vanguard News.

Obaseki vows to strengthen judiciary, enforce rule of law


Ijaw not in secession struggle —IYC presidential aspirant …See Details

By Etop Ekanem

A leading Ijaw activist,  Oweikeye Endoro, has said the struggle for Ijaw advancement driven by the Ijaw Youth Council, IYC, is not about secession from Nigeria as clearly noted in the historic Kaiama Declaration, KD, of 1998.

Endoro, who is a presidential candidate for the forthcoming IYC elections, said in Warri, yesterday, that wrong perceptions of the Ijaw/Niger Delta struggle had hampered national understanding of the objective of the struggle which was self-determination, resource control and social justice within Nigeria.

According to him: “I read the condemnation of Rivers State Governor, Nyesom Wike, who said in Sultan’s Palace, Sokoto, that Niger Delta leaders stand by Nigeria whose unity is non-negotiable. For me, Governor Wike’s comment is within the tenets of the Kaiama Declaration accepted as a working document of the Ijaw nation.”

Pointing to article 10 of the Kaiama Declaration, Endoro said: “We agreed to remain within Nigeria but to demand and work for self-government and resource control for the Ijaw people. The federation should be run on the basis of equality and social justice. Having agreed to remain in Nigeria, we cannot work towards its dismemberment but seek self-determination, resource control and social justice therein for the good of all Nigerians. Nigerians should not misconstrue ‘self-determination’ enshrined in the Kaiama Declaration as a secession bid. The Ijaw ethnic nation, the fourth largest in Nigeria, is unfortunately balkanised into minorities in several states where they are politically subjugated by minor ethnic groups.”

 

The post Ijaw not in secession struggle —IYC presidential aspirant appeared first on Vanguard News.

Ijaw not in secession struggle —IYC presidential aspirant


Gani Lecture: Who should champion fight against corruption? …See Details

Southern Kaduna: El-Rufai shuts down Zangon Kataf as gunmen kill 3, injure 5 …See Details

I’ve no intention of leaving APGA —Obiano …See Details

Uyo church collapse: Weeks ordered removal of scaffolds —Contractor …See Details

By Emmanuel Ayunbge

UYO—THE contractor who handled the roofing and welding works of the collapsed Reigners International Church building in Uyo, Akwa Ibom State, which claimed several lives, yesterday, told the commission of inquiry probing the incident that the General Overseer, G.O., of the ill-fated church, ordered the removal of the scaffolds a day before the building collapsed.

The contractor, Mr. Idoreyin Udoh, who was testifying, shocked the commission when on cross examination, claimed that Apostle Akan Weeks, the GO, ordered that the scaffolds supporting the roof of the church be removed a day before the building collapsed during a church service in spite of his warning on the danger.

Udoh, who claimed he was under intense pressure by Apostle Weeks to remove the scaffolds, said he called one Engr. Steve to meet him at the site of the construction which he did.

According to him: “I called Engr. Steve who later called Engr. Uwem Okoko to join us at the site, and he joined us with chicken pox all over his body. He (Eng. Okoko) called Apostle Weeks on his cell phone and Apostle weeks informed him that he was in the office. Engr. Okoko left us for Apostle Weeks’ office. A few minutes later, he came back to the church auditorium to tell us that he had told Apostle Weeks of the danger of removing the scaffolds.

“When Okoko left the site, Apostle Weeks came out from his office and threatened me in the presence of other engineers on site that if I did not remove the scaffolds he was going to order for my arrest. If the other engineers are here they can testify to that fact. Apostle Weeks who was bent on removing the scaffolds supporting the roof further threatened to arrest me and my boys, until I left the site. When I returned in the evening, the foreman told me that Apostle Weeks had warned that if we did not remove the scaffolds he was going to bring a police van and march us all in.”

Mr Idoreyin also told the commission that he was paid N20,250,000 which was receipted for as part of the cost for the roofing and disowned the statement earlier made before the commission by Apostle Weeks that he paid N26,000,000 for the roofing.

The post Uyo church collapse: Weeks ordered removal of scaffolds —Contractor appeared first on Vanguard News.

Uyo church collapse: Weeks ordered removal of scaffolds —Contractor


Reps direct IG to pay entitlements of 3,000 deceased police officers …See Details